Thunder in Our Hearts

Thunder in Our Hearts

January 30- February 28, 2016
Opening Reception: Saturday, January 30, 2016, 6 – 9pm

Robert Andrade “Portrait”, mirror tinted plexiglass, inkjet print, 5” x 5” x 3”, 2015

Contact: Ginger Shulick, gshulick@bigdealarts.com

Noysky Projects  is pleased to present Thunder in our Hearts– a multimedia exhibition organized by San Diego—based curator and museum director Ginger Shulick Porcella. Comprised by the work of 25 artists working primarily in Southern California/Baja, the show opens January 30, 2016 and runs through February 28, 2016.

Ginger Shulick Porcella  is currently the Executive Director for the San Diego Art Institute, the only contemporary art museum in Balboa Park, dedicated to the work of artists living in Southern California/Baja. Porcella is a Curator with Artist Pension Trust (APT Global) and has curated exhibitions for galleries and museums across the U.S. including: “LUMEN”, an international video and performance art festival (Founder and Head Curator 2010 and 2011); “Ivory Tower”, a video exhibition concurrent with Art Basel Miami Beach 2011; “The Typhoon Continues and So Do You” at Flux Factory; “The Sixth Sense and Other Myths” at NYC Industries for the Blind; the criticallyacclaimed “Future/Past” at REVERSE Gallery in NYC; and most recently “Beyond Limits: Postglobal Mediations” and “Women’s Work: Masculinity and Gender in Contemporary Fiber Art” at the San Diego Art Institute. Porcella’s exhibitions have been positively reviewed in The New York Times and USA Today, and her  work has been featured in Hyperallergic, creem magazine, The L.A. Times, and Modern Painters.

Thunder in Our Hearts is a small-works show featuring the work of Southern California artists working at the intersection of sound, video, performance, and installation. Taking its title from Running up that Hill by Kate Bush, the exhibition focuses on tiny works with large impact, small gestures, intimacy, coldness, brief connections, lights, flickers, and tones. Participating artists include: Robert Andrade, Banrei, Brian Benfer, Cindy Santos Bravo, Einar & Jamex de la Torre, Don Edler, Dave Ghilarducci, Brian Goeltzenleuchter, Marina Grize, Gordon Holden, Debby & Larry Kline, Davin Kyle Knight, Alex Kohnke, Angele Lebert, Nicholas Lesley, Omar Lopex, Justin Manor, Carolina Montejo, Margaret Noble, Sean Noyce, Don Porcella, Jason Sherry, Ali Silverstein, Suzanne Thorpe, Katya Usvitsky, and Perry Vasquez.

The opening reception takes place at Noysky Projects, 6727 7⁄8 Hollywood Boulevard, Los Angeles, CA from 6-9pm on Saturday, January 30th.

All images are subject to copyright. Gallery or artist approval must be granted prior to reproduction.

 

ALI SILVERSTEIN: Untitled, 14″ x 17″, 2015

JAKE HARPER: ‘Cholalcho’ by Banrei, Car upholstery, stereo speakers, LED, 30’ audio file on loop, playback device, 8″ x 6″ x 18″, 2016

NICHOLAS LESLEY: Poor Translation, 2:30 min, three-channel color video and stereo sound oriented vertically, 2016

Marina Grize: Everything is Sacred, Wood, LED, 24″ x 3.5″, 2015

DEBBY & LARRY KLINE: Pumping Soy, video still from My Dinner with The Klines Digital video, Dimensions variable, 2012

PERRY VASQUEZ: The Subprime Object of Ideology, Paperbacks, Poo-Dough, 8″ x 5¼” x 3½”, 2016

GORDON HOLDEN: YBPG, mixed media, 16″ x 20″, 2015

ALEX KOHNKE: A doe, a deer, a fe…, no. AAAAAA, BBBBBB, CCCCCCCC, DDDDDDDDDDD, EEEEEEE, FFFFFF, GGGGGGGG, HHHHHHHHH, IIIIIIIIIII, KKKKKKKKKKKKKKKKKK, LLLLLLLLLL, MMMMMMMMMMMMMMMM, NNNNNNNN, OOOOOOOOO, PPPPPPPPPP, QQQQQQQQ, UUUUUUUU, RRRRRRRRRR, SSS, TTTTTTTTTTTTTTTT, VVVVVVVVVVVVVVVVVVVVV, ah… XXX, YYYYY, XXX, YYY, xylophone, YYY, ZZZZZZZZZ, alphabet, video, plywood, acrylic, 13¼” x 11¾” x 2¾”, 2013

SEAN NOYCE: Rust Belt, Custom software, tablet, processor, 5″ x 8″, 2013

DON PORCELLA: The Evolution of Celestial Bodies, encaustic on wood, 7.5″ x 7.5″ x 3″, 2015

EINAR & JAMEX DE LA TORRE: Relampago (lightning), Archival print, resin castings, mix media, 17” x 13” x 3½”, 2012

BRIAN GOELTZENLEUCHTER: My Angst, graphite on paper, bent and secured with pins, 5½” x 11″ x 1¾”, 2016

Brian Benfer, "untitled (snp-17)", mixed media, 2.5" x 5", 2016

Brian Benfer: untitled (snp-17), mixed media, 2.5″ x 5″, 2016

Davin Kyle Knight "Glider", 12" x12", Photo Mixed Media, 2016

Davin Kyle Knight: Glider, 12″ x12″, Photo Mixed Media, 2016

Katya Usvitsky "Untitled", nylon, fiberfill, nail, wood, 5.5” x 5.5” x 8”, 2015

Katya Usvitsky: Untitled, nylon, fiberfill, nail, wood, 5.5” x 5.5” x 8”, 2015

ANGELE LEBERT "Angele in 8 Fucking Little Pieces", polaroids, 4½” x 3½”, 2015

ANGELE LEBERT: Angele in 8 Fucking Little Pieces, polaroids, 4½” x 3½”, 2015

CAROLINA MONTEJO "Landscape 1, part of the series from 2014 called Technical Recreation", Epson archival paper, 9” x 9”

CAROLINA MONTEJO: Landscape 1, part of the series from 2014 called Technical Recreation, Epson archival paper, 9” x 9”

CINDY SANTOS BRAVO "Access Lullaby", Video, 2015

CINDY SANTOS BRAVO: Access Lullaby, Video, 2015

DON EDLER "Primitive Shapes", crayola crayons, acrylic, plaster, wood, 12" x 12" x 2½”, 2016

DON EDLER: Primitive Shapes, crayola crayons, acrylic, plaster, wood, 12″ x 12″ x 2½”, 2016

JASON SHERRY "Totem III: The Return of Glue All", Castings of Dissolved VHS Cassettes 12 Copies of Blair Witch Project, 3 Copies Book of Shadows: Blair Witch 2, 1 Copy The First Power, 1 Copy Cocoon: The Return, and enamel, 2014

JASON SHERRY: Totem III: The Return of Glue All, Castings of Dissolved VHS Cassettes 12 Copies of Blair Witch Project, 3 Copies Book of Shadows: Blair Witch 2, 1 Copy The First Power, 1 Copy Cocoon: The Return, and enamel, 2014

JUSTIN MANOR "Cascade", LEDs, Acrylic, Electronics, Code, 12" x 12" x 12", 2016

JUSTIN MANOR: Cascade, LEDs, Acrylic, Electronics, Code, 12″ x 12″ x 12″, 2016

MARGARET NOBLE "Homemade Time Machine", Mixed media sound sculpture, 13" x 17" x 10", 2016

MARGARET NOBLE: Homemade Time Machine, Mixed media sound sculpture, 13″ x 17″ x 10″, 2016

OMAR LOPEX "Untitled" Polaroids, 4½” x 3½”, 2016

OMAR LOPEX: Untitled, Polaroids, 4½” x 3½”, 2016